Artistic works – Utopic Studios http://utopicstudios.com/ Thu, 14 Oct 2021 12:18:58 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://utopicstudios.com/wp-content/uploads/2021/10/icon-3-120x120.png Artistic works – Utopic Studios http://utopicstudios.com/ 32 32 Call for applications: artistic works for the CTM Radio Lab in Germany https://utopicstudios.com/call-for-applications-artistic-works-for-the-ctm-radio-lab-in-germany/ Tue, 14 Sep 2021 07:00:00 +0000 https://utopicstudios.com/call-for-applications-artistic-works-for-the-ctm-radio-lab-in-germany/ CTM Radio Lab was launched in 2014 to spotlight new works that explore the intersection of radio with live performances or installations as part of an annual theme. The competition is organized by CTM Festival and Deutschlandfunk Kultur – Radio Art / Klangkunst in collaboration with Goethe-Institut, ORF musikprotokoll im steirischen herbst, Ö1 Kunstradio and […]]]>

CTM Radio Lab was launched in 2014 to spotlight new works that explore the intersection of radio with live performances or installations as part of an annual theme. The competition is organized by CTM Festival and Deutschlandfunk Kultur – Radio Art / Klangkunst in collaboration with Goethe-Institut, ORF musikprotokoll im steirischen herbst, Ö1 Kunstradio and The Wire magazine.

Eligibility

CTM Radio Lab accepts applications in the following disciplines:

  • Experimental music.
  • Sound art.
  • Radio art.
  • New dramas and radio performances.

The commissioned works will also be broadcast on the Klangkunst program of Deutschlandfunk Kultur in spring 2022 in the form of a radio program (55 minutes max).

Eligibility criteria

CTM Radio Lab will favor projects that explore the possibilities of combining radio and live performances / installations.

The projects must also respond to the CTM Festival 2022 theme, Contact.

Terms & Conditions

Applications must be accompanied by the following documents in PDF (20 MB max):

  • Description of the project with a very detailed budget (four pages max).
  • Technical details.
  • CV of the artist or group.

Special conditions to note for COVID-19:

  • Proposals should take into account that a presentation of the work may not be possible to a live audience in Berlin.
  • Applicants outside the EU should be prepared to participate remotely, as travel restrictions may be more stringent outside the Schengen area.
  • Applicants should come up with interesting presentation alternatives, for example via online and virtual works, installations or other formats that do not require the physical presence of an artist and in which an audience could participate virtually or in large groups. limited.

Two successful applicants will receive the following:

  • A sum of € 5,000 (approximately $ 5,900) as production costs.
  • Technical and distribution costs will be covered after discussion with the organizers.
  • Additional travel costs to Berlin and accommodation during the festival period will also be discussed.

Interested artists can access the application form here.

The application deadline is September 19.

Show original call here.


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Namibia: Otjomuise Live Arts Festival calls for artistic works https://utopicstudios.com/namibia-otjomuise-live-arts-festival-calls-for-artistic-works/ Mon, 13 Sep 2021 07:00:00 +0000 https://utopicstudios.com/namibia-otjomuise-live-arts-festival-calls-for-artistic-works/ The Otjomuise Live Arts Festival (OLAF) has announced the open call for artistic works for the first weeklong live arts festival which will take place from 06 to 13 November 2021 in Windhoek. Co-produced by the National Theater of Namibia and the Goethe-Institut Namibia, the festival aims to bring life and the arts closer to […]]]>

The Otjomuise Live Arts Festival (OLAF) has announced the open call for artistic works for the first weeklong live arts festival which will take place from 06 to 13 November 2021 in Windhoek.

Co-produced by the National Theater of Namibia and the Goethe-Institut Namibia, the festival aims to bring life and the arts closer to the city, providing the opportunity to present and / or exhibit living art forms in public spaces in Windhoek. .

The name Otjomuise comes from the town’s name Otjiherero, which means “place of steam”. The name of the festival reflects not only the unique environmental character of the city, but also its rich heritage and boundless creativity to impact its people.

OLAF is largely provoked by the inaccessibility of the majority of the inhabitants of Windhoek to various artistic expressions; often limited to interior and sometimes inaccessible areas of the city. Thus, OLAF offers opportunities for immersive, experimental and refreshing artistic forms that can be presented or installed in public spaces where life and the arts can meet.

The themes of the works offered can cover a wide range and are not limited. Artistic works are encouraged to be short, small in scale, logistically feasible, and family-friendly. Ideas and works often excluded from traditional institutional contexts are strongly encouraged.

Although a selection of venues is already on offer for the festival, artists are encouraged to suggest preferred public venues. In addition, all proposed work must adhere to health and safety protocols outlined by local authority regulations.

Due to resource allocation, sets should not exceed four members. Standard material, rehearsal, and transportation costs of N $ 1000 will be provided to each artist under contract, who will be remunerated at an additional cost.

Windhoek-based individual and collective artists, visual, digital and conceptual are openly called upon to submit small-scale works to be featured in the festival, by applying through the online application form at www.ntn.org.na Deadline application deadline is September 21, 2021.


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Che’s Drum Call Announces Arrival of Caribbean Artistic Works | Local features https://utopicstudios.com/ches-drum-call-announces-arrival-of-caribbean-artistic-works-local-features/ Sun, 29 Aug 2021 00:06:00 +0000 https://utopicstudios.com/ches-drum-call-announces-arrival-of-caribbean-artistic-works-local-features/ Che Lovelace beats his own drum in modern art history. Lovelace’s 2021 painting “Nyabinghi Drummers” has been added to the permanent collection of the Museum of Contemporary Art (MOCA) in Los Angeles, California, United States. The San Fernando-born artist is the first creator from Trinidad and Tobago to be included in the museum’s world-renowned contemporary […]]]>

Che Lovelace beats his own drum in modern art history.

Lovelace’s 2021 painting “Nyabinghi Drummers” has been added to the permanent collection of the Museum of Contemporary Art (MOCA) in Los Angeles, California, United States. The San Fernando-born artist is the first creator from Trinidad and Tobago to be included in the museum’s world-renowned contemporary art collection.

Lovelace, 52, says his painting hanging in the halls of MOCA not only validates the consistency of his efforts over the past decade, but also indicates a new interest from international collectors in the artistic works of the region.

“The acquisition of my 2021 painting ‘Nyabinghi Drummers’ can be seen as recognition of the work I have done over the past decade. But it is also a testament to the fact that international art institutions and the art world in general are paying more attention to visual arts made in this region, ”Lovelace told the Kitcharee in an insightful online exchange Thursday night.

The son of famous author Earl Lovelace says he hopes this “growing interest” will bring more artists who live and work in the Caribbean into the “growing global conversation about the arts.”

“This current diversification that is happening in the art world, can be seen in contrast to the art world of about 20 years ago, when everything about art at a certain level was concentrated. only around the large traditional art centers of developed cities, such as New York, London and other European cities, ”he explained.

Look in the mirror of the Caribbean

As Caribbean art becomes much more visible than in recent decades, the increased interest in the region’s visual expressions may be less of an artistic endeavor and more of a new culture of self-exploration in developed countries. , Lovelace thought.

“There seems to be a lot more desire in developed countries to explore and recognize their own diverse populations, and as there is in the United States, to also recognize communities that have created deep and important art during many decades without serious recognition.

“So this trend has also led to a growing interest in other normally marginalized world cultures. In the art world, I would say that the interest is mainly expressed towards artists from the Caribbean diaspora, rather than artists who live and work in the Caribbean, which makes all the difference, ”he said. Explain.

Lovelace noted that many artists of Caribbean descent living outside the region not only create art about their heritage, but also works that reflect their daily experiences. Likewise, he explained, it’s just as important that Caribbean-based artists contribute to the global conversation.

“Of course, Caribbean diaspora art is important and an integral part of the Caribbean experience through migration, contributing to a global conversation while remaining firmly in place here in the Caribbean is much more of a challenge. In this sense, it gives even more meaning to the recognition of any artistic practice coming directly from this region.

he asked.

“If an artist from Trinidad and Tobago only locates his creative ceiling in this country, then I think there is a self-imposed myopia that can affect the ultimate potential of the work a person does. With the world as connected as it is now, we need to take our efforts seriously; because the ceiling of our achievements is no longer limited by living on what appears to be a distant island. I’ve always considered this island to be my center… it’s just a matter of perspective.

Discover your own “douendom”

Lovelace attributes his global artistic perspective to the teachings imparted by his mentor, the late master artist LeRoy Clarke. Clarke, who died on July 27, was “still there with brutal honesty and encouragement,” Lovelace said.

“Leroy was a close friend, family friend and artistic mentor. I’ve always seen myself as a fiercely individual individual, at least in my head, but there’s no denying that artists feed off other artists. It has always been so, ”he revealed.

Lovelace said that as a young boy in the ’70s he was impressed by Clarke’s now famous Douens exhibition. As his artistic mind grew, Lovelace said he gained an even deeper appreciation for the true meanings of Clarke’s “strong geometric shapes, mighty pyramids, magical colors and canvas-like constructions”. .

“The older I got, the more I understood what he was talking about. He wanted us to see each other as big and as precious as possible. A great lesson he taught was to see our efforts as part of the efforts of mankind, not limited to these shores alone. If I’m honored enough to be connected to part of his heritage, it would be his insistence and seriousness about his artistic endeavors: it’s something that I adopted as part of my own way of being ” , did he declare.

Interestingly, Lovelace says the circumstances of the ongoing global Covid-19 pandemic have given greater opportunities to artists outside of traditional creative centers. With all of the interactions between artists and art galleries limited to online virtual meetings, artists located in remote locations had the same screen time with potential exhibitors as those living in the same city, a he declared.

“Whether someone in New York was visiting an artist on the street or visiting an artist here in Trinidad, we were using the same Zoom platform to talk about our work and share what we were doing. Such a situation certainly benefits large-scale countries which normally seem quite isolated and out of the conversation, ”Lovelace said.

Beyond the obvious changes in daily routine, the pandemic has also been a time of global soul-searching, Lovelace said.

“The change of pace was like holding a mirror in front of us, the whole world together, and maybe that’s a good thing. I feel like when I talk to people now, especially after the second longer lockdown, they mostly express a feeling that I have learned so much during that time.

“For many of us who live creative lives, despite everything, we kept on working. Creative work sometimes becomes your saving grace. I was really encouraged to see and listen to people who had to reinvent themselves, innovate and generally think differently in order to survive intact, ”he said.

Those uninterrupted hours of “stillness and stillness” complementing years of painting creation have already begun to reap tangible benefits for Lovelace.

Besides the inclusion of MOCA, he was also invited to participate in the Independent Art Fair in New York in September. He credits his continued working relationship with the Divers Small Fires (VSF) gallery in Los Angeles, which acted as its reservation agent in the United States.

“New York is a special place for me, because I’ve been traveling and looking at art since the early 90s. So having a bit of my own work, with hopefully a bit of momentum behind it. , looks like a stepping stone to get things done. Like I told my friends… it really feels like a fresh start, ”concluded Lovelace.


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Certificate Obligation for Intellectual and Artistic Works – Intellectual Property https://utopicstudios.com/certificate-obligation-for-intellectual-and-artistic-works-intellectual-property/ Tue, 03 Aug 2021 07:00:00 +0000 https://utopicstudios.com/certificate-obligation-for-intellectual-and-artistic-works-intellectual-property/ Turkey: Certificate obligation for intellectual and artistic works 03 Aug 2021 Ozdagistanli Ekici Avukatlik Ortakliği To print this article, simply register or connect to Mondaq.com. The Regulation amending the Regulation on the Procedures and Principles Regarding the Certification of Companies which Fill, Reproduce and Distribute or Fill in the Materials in which Intellectual and Artistic […]]]>

Turkey: Certificate obligation for intellectual and artistic works

To print this article, simply register or connect to Mondaq.com.

The Regulation amending the Regulation on the Procedures and Principles Regarding the Certification of Companies which Fill, Reproduce and Distribute or Fill in the Materials in which Intellectual and Artistic Works are Detected
(“Regulation”) was published in the Official Journal on July 6, 2021. With the regulation, the procedures and principles of the certification obligation are lightened in detail, and those who are obliged to receive a certificate are determined again.

In this context, the following places that produce materials related to the identification and reproduction of intellectual and artistic works and / or fill, reproduce and sell these materials or distribute them in any way and bring them to the public available to the public are required to obtain certificates:

  • Filling facilities, printing works and other places for the reproduction of intellectual and artistic works
  • Companies producing blank media
  • Editors
  • Film and phonogram producers
  • Commercial art galleries, fine art retailers and auction houses
  • Companies that sell, distribute, import or rent copies and material containing intellectual and artistic works

In this regard, the certification transactions of film and phonogram producers are carried out by the General Directorate of Copyright, and the certification transactions of filling facilities are carried out by the Directorate of Copyright and Cinema. ‘Istanbul. All other certification transactions will be carried out by the Provincial Directorates of Culture and Tourism in accordance with the regulations. In addition, the obligation to certify cinemas and similar places which show and show films is no longer applicable under the Regulation. In addition, the specific provisions and regulations for filling facilities were abolished and the unit occurred in practice.

In addition to the above, the obligation to display the certification is repeated within the framework of the regulation, and it is specified that the companies subject to the obligation of certificate must display the certifications during inspections. The obligation to have the certificate number is regulated for printing works, publishing houses, filling plants and similar places; and filling facilities are required to keep the source identification code (SID code) on the media.

On the other hand, companies / places that have the certificate will be able to sell books or media containing intellectual and artistic works in fairs, festivals or other cultural events provided that the “temporary sale certificate” is obtained and displayed at the ministry. provincial. Directorates of Culture and Tourism. For this, a document including the name and date of the event must be obtained from the firm / establishment organizing the event. Another thing is that the production documents of the producers of films and phonograms, which have been obtained temporarily or permanently, will not be renewed at the end of their period of validity since the producers of films and phonograms will be obliged to obtain a certificate in accordance with the regulations. It has been regulated that on the expiration date of these documents, it is mandatory to obtain a certificate, as explained above, to replace the documents from the producer.

As a result of these changes, with the regulations, an attempt was made to create unity in practice and the general principles and procedures were clearly determined. On the other hand, the date of entry into force of the relevant regulation was set at 01.01.2022 and aims to facilitate the transition period in the matters which have been modified.

The content of this article is intended to provide a general guide on the subject. Specialist advice should be sought regarding your particular situation.

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Art e Fekts gallery presents artistic works by Helen Lavelle https://utopicstudios.com/art-e-fekts-gallery-presents-artistic-works-by-helen-lavelle/ Fri, 25 Jun 2021 07:00:00 +0000 https://utopicstudios.com/art-e-fekts-gallery-presents-artistic-works-by-helen-lavelle/ PITTSTON – Helen Lavelle has owned and operated a successful Marketing / PR / Advertising agency for over 30 years. She has been campaigning against alcoholism, chemical dependence and domestic violence for decades. But what most people don’t know is that she has been an artist since childhood. The Art e Fekts Gallery in Pittston […]]]>

PITTSTON – Helen Lavelle has owned and operated a successful Marketing / PR / Advertising agency for over 30 years. She has been campaigning against alcoholism, chemical dependence and domestic violence for decades. But what most people don’t know is that she has been an artist since childhood.

The Art e Fekts Gallery in Pittston hosted an art exhibit Thursday evening featuring Lavelle’s artistic works. After participating in numerous art exhibitions during her career, this was the first time she was able to show her work in the town where she attended high school, the former St. John the Catholic High School. Evangelist.

“I knew when I was a little girl I wanted to make art and create art,” Lavelle said. “When I was in St. John’s they didn’t have money to invest in an art program and I had an art teacher from Beverly Sabatini Glennon who helped me out and I also owe a lot to them. sisters. They knew I had the talent.

Lavelle said Glennon will bring her own art supplies from home just so she can have art supplies to work with.

Her art took a back seat once she graduated from Marywood College, working in Philadelphia and other places, before returning to northeastern Pennsylvania at the age of 28 to open. his branding / PR / advertising agency.

“I wanted to do my art, but I’m forgetting the part about running the business,” Lavelle said, explaining why she had to stop painting. “I really put my art aside for a long time and it was 10 years ago when my sister Alvie died that I said, I’m going to get back to my art.

Lavelle, who describes her art as very deep and personal, has exhibited her art across the country, but was thrilled to show her work to people in her own backyard.

“I feel like it’s the most wonderful thing in the world,” said Lavelle, of his work exhibiting in Pittston. “I think it’s really important for us to support the best artists and musicians here and how really important the artists of northeastern Pennsylvania are.”

Lavelle feels honored to exhibit her work at Art e Fekts, which many see as the focal point of the Pittston Arts District, and believes that there is a need for art in today’s society.

“I would like to shed some light on the fact that the arts are really responsible for helping to renovate Pittston,” added Lavelle. “This renaissance that’s going on right now is so huge, it’s not just me but there are other artists who are contributing locally.”

Art e Fekts has exhibited art from many local artists and Lavelle is the first non-resident artist to be featured.

“I am very excited about the turnout,” said Mary Kroptavich, Director of Art e Fekts. “Helen is our first guest artist to the gallery. Our other screenings were from resident artists. It’s an honor to have him here.

Kroptavich said she was a fan of Lavelle, admitting to purchasing a few of her pieces during the show.

“Art e Fekts needs support and I really believe art is going to heal us when we come out of this pandemic,” Lavelle said.

“Her art (Lavelle) is so invigorating,” said Kathie DiMaggio, retired art teacher at Pittston Area. “Her colors are so vibrant and powerful, that’s what really hits you. It’s intoxicating for me and when I entered (into the gallery) the aroma of the oil hit me. I was looking for something to motivate me and when I walked in that was it.

Agnès Vermac, Lavelle’s younger sister, was present for the exhibition, admitting that Helen’s art inspired her and her children.

“She can do anything,” Vermac said. “I saw her take a pencil and draw something so perfect that it looks like a photograph and in the same sense it can be so abstract. Hélène has always been talented.

Lavelle is a classically trained contemporary painter who studied at Marywood University in Scranton, Moore College of Art and Design in Philadelphia, and the Pennsylvania Academy of Fine Arts.

His figurative, landscape and abstract works are held in corporate and private collections around the world. Lavelle’s art was inspired by his many travels through France, Italy, the United States, South America, Ireland and Greece.

Lavelle participates in the Painter with a Purpose initiative where a portion of the proceeds from online art sales on her website (www.helenlavelleartist.com) is donated to causes in need of public support such as Black Lives Matter , recovering women, agriculture and the environment, multiple sclerosis, art and education.

Lavelle is the owner and chief creative strategist of Lavelle Strategy Group in Scranton, a nationally recognized leader in the advertising industry.


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Open to businesses: artistic works by Lu https://utopicstudios.com/open-to-businesses-artistic-works-by-lu/ Mon, 24 May 2021 07:00:00 +0000 https://utopicstudios.com/open-to-businesses-artistic-works-by-lu/ artistic works of LuAfter opening its first physical store in Springfield in 2019, Leavenworth, Kansas-based retailer Artistic Works by Lu LLC relocated on May 14 to 1149 E. Republic Road. The boutique, which sells women’s jewelry, clothing and accessories, was once located at 3061 S. Fremont Ave. Tracy Kneuven, husband of the owner Lu Kneuven, […]]]>

artistic works of Lu
After opening its first physical store in Springfield in 2019, Leavenworth, Kansas-based retailer Artistic Works by Lu LLC relocated on May 14 to 1149 E. Republic Road. The boutique, which sells women’s jewelry, clothing and accessories, was once located at 3061 S. Fremont Ave. Tracy Kneuven, husband of the owner Lu Kneuven, said the move comes after Coryell Collaborative Group on March 17 acquired the old heritage cafeteria building and the adjacent mall where the store was located. Artistic Works by Lu has a three-year lease for about $ 2,500 per month with Post Time Properties LLC, he said, adding that the relocation costs were around $ 25,000. The 1,900 square foot boutique is run by Lu Kneuven’s sister, Carla Mendenhall, he said. Artistic Works by Lu also operates a boutique in Leavenworth, Kansas, and previously leased space at Harrison House Market before opening the Springfield storefront.
Hours: 10 am-5pm Tuesday to Friday and 10 am-4pm Saturday
Telephone: 417-319-5152
the Web: ArtisticWorksByLu.com

Jiffy Lubricant
A four-bay Jiffy Lube opened on December 18 at 3510 W. Sunshine St. Steve isom, executive vice president of franchisee Jiffy Lube Stonebriar Auto Services LLC, said start-up costs, including building construction, were around $ 2 million. Knoebel Construction Inc., based in Chesterfield, was the general contractor for the project and Casco Diversified Corp., based in St. Louis, acted as architect. The store has been designed in a new Jiffy Lube Multicare model, Isom said, in which two bays are dedicated to quick oil changes and the others handle services including brakes, alignment, tires and upgrades. point. Director Jordan harrison leads a team of 10 people in the 4,042-square-foot store, Isom said. There are more than 2,000 Jiffy Lube stores nationwide, according to the company’s website. Isom said Springfield is the 22nd franchise for Stonebriar Auto, based in Frisco, Texas.
Hours: 8 am-6pm Monday to Friday, 8 am-5pm Saturday and 10 am-4pm Sunday
Telephone: 417-823-4788
the Web: JiffyLube.com

Solutions de Patrimoine Synergie inc.
Synergy Wealth Solutions Inc., based in St. Louis, opened an office in Springfield on March 1 in the Frisco Building, 3253 E. Chestnut Expressway. Financial Advisor Chuck dow said he was the owner of the local branch of the company and was its general manager. Dow said, through CHD Financial LLC, that its five-year lease is $ 4,400 per month with Erlen Group for the 2,400 square foot space. Start-up costs were around $ 80,000, he said, adding that Synergy manages more than $ 7 billion in assets company-wide. He declined to disclose the assets under management of the Springfield office as it got started. Synergy works with approximately 65,500 clients and 160 financial advisers, according to a press release. The company’s website lists the territories of St. Louis, Springfield, Kansas City, and Illinois. Dow comes to Synergy from Northwestern Mutual, where he served as a financial advisor for over seven years, according to his LinkedIn profile.
Hours: 8 am-5pm Monday to Friday
Telephone: 417-430-2320
the Web: SynergieWealthSolutions.com


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HS234 Average for creators of literary or artistic works (2016) https://utopicstudios.com/hs234-average-for-creators-of-literary-or-artistic-works-2016/ Tue, 06 Apr 2021 07:00:00 +0000 https://utopicstudios.com/hs234-average-for-creators-of-literary-or-artistic-works-2016/ Authors and artists with fluctuating profits may pay large tax one year and little or no tax another year. To help reduce your tax bill, you may be able to average your profits over 2 consecutive years. You can use the average if: you are self-employed or in partnership and the business started before April […]]]>

Authors and artists with fluctuating profits may pay large tax one year and little or no tax another year. To help reduce your tax bill, you may be able to average your profits over 2 consecutive years.

You can use the average if:

  • you are self-employed or in partnership and the business started before April 6, 2014 and did not end during the 2015 to 2016 tax year
  • your profits come entirely or mainly from literary, dramatic, musical or artistic works or from drawings
  • you or your business partner (if you are in a partnership) created the works personally.

Literary works include works protected by copyright. Artistic works include paintings and sculptures but do not include works of craftsmanship, such as furniture making.

You cannot use the average if you are using cash accounting to calculate your profit.

The average will be of no use if you pay taxes at the same rate for 2 consecutive years. But, it can help, for example, if you:

  • pay tax at the base rate 1 year and at the higher rate the following year
  • have to pay taxes 1 year but your income decreases so you do not pay them the following year

Who can claim the averaging

You can ask for an average if your profits come from the transfer of works or from the royalties you collect for allowing people to reproduce your works. So, for example, you can ask if you are:

  • an author whose income comes from the sale of your written work – even if a small portion of your income comes from personal appearances
  • a computer software author whose income is derived from royalties for the reproduction of code you write, which is protected by copyright

Who can’t pretend to be the average

You cannot ask for an average if your profits come from the services you provide. So, for example, you cannot claim if you are:

  • an architect whose income comes primarily from your services – even if a portion of your income comes from the sale of copyrighted material
  • a computer programmer whose income is derived from the script or program writing service, and not from the work itself

How to average

Check that your profit for the poorest year, minus the adjusted amounts, is less than 75% of the figure for your best year. If so, you can use the average.

If you claimed the average for the previous tax year, use the amount in the average adjustment box on your 2014 to 2015 tax return.

Then check if the difference between your profits for the 2 years is more than 30% of your profits for the best year. If so, calculate the average by adding up the profits for the 2 years and divide the total by 2.

To find the average adjustment, calculate the difference between your profit for the year and the average profit. If your profits for 2015 to 2016 are the highest profits, you deduct the adjustment from the average. If it is the lower profits, you add the adjustment. The examples below show you how to do this.

Example 1

Terry’s benefits are:

Year Profit
2015 to 2016 £ 10,000
2014 to 2015 £ 40,000
Total for 2 years £ 50,000

Terry claims an average so that his total tax for the 2 years is adjusted to what it would have been if his profits had been £ 50,000 ÷ 2 = £ 25,000 each year.

Terry puts the adjustment on his (full) Freelance pages for 2015 to 2016, to show:

Profit Rising
Company net profit £ 10,000
plus Average adjustment + £ 15,000
Adjusted profit £ 25,000

If the difference between your profits for the 2 years is between 25% and 30% of the profit for the best year, you calculate it differently. To calculate the average adjustment, multiply the difference by 3 and subtract 75% of the profit for the highest year.

Example 2

Nahid is a partner in a partnership. Its share of the profits is:

Year Profit
2015 to 2016 £ 50,000
2014 to 2015 £ 36,000

The difference is £ 14,000. This represents between 25% (£ 12,500) and 30% (£ 15,000) of the highest profit. The adjustment is therefore:

Profit Rising
£ 14,000 x 3 £ 42,000
£ 50,000 x 75% – £ 37,500
Adjustment £ 4,500

Nahid puts the adjustment on his (full) partnership pages for 2015-2016 to show:

Profit Rising
Share of partnership profits £ 50,000
minus Average adjustment – £ 4,500 (with a minus sign)
Adjusted profit £ 45,500

How to claim

You must make your request on your 2015 to 2016 income tax return and indicate the tax adjustment due for the previous year on your Tax Calculation Summary. If your profits for 2014 to 2015 are the lower profits, you put the adjustment as a tax increase. If these are the highest profits, you express it as a tax cut.

You do not need to change your tax return for the years 2014 to 2015. We will change the amount of tax and Class 4 national insurance contributions you have to pay for the years 2015 to 2016 in order to keep account of your adjusted profits.


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artistic works vital for poverty reduction, rural revitalization https://utopicstudios.com/artistic-works-vital-for-poverty-reduction-rural-revitalization/ Thu, 04 Mar 2021 08:00:00 +0000 https://utopicstudios.com/artistic-works-vital-for-poverty-reduction-rural-revitalization/ Political adviser Fan Di’an speaks at the Great Hall of the People in Beijing ahead of the start of the fourth session of the 13th National Committee of the Chinese People’s Political Consultative Conference, March 4, 2021. / Xinhua Political adviser Fan Di’an speaks at the Great Hall of the People in Beijing ahead of […]]]>

Political adviser Fan Di’an speaks at the Great Hall of the People in Beijing ahead of the start of the fourth session of the 13th National Committee of the Chinese People’s Political Consultative Conference, March 4, 2021. / Xinhua

Political adviser Fan Di’an speaks at the Great Hall of the People in Beijing ahead of the start of the fourth session of the 13th National Committee of the Chinese People’s Political Consultative Conference, March 4, 2021. / Xinhua

Literary and artistic works have played a vital role in poverty reduction and will continue to contribute to rural revitalization in the future, political adviser Fan Di’an said on Thursday.

Fan and six other political advisers met with the press, at an event known as the Members Hall, before the start of the fourth session of the 13th National Committee of the Chinese People’s Political Consultative Conference (CPPCC), the most the country’s top political advisory body, at the Great Hall of the People in Beijing.

Excellent literary works play an important role in awakening spiritual strength, said Fan, also chairman of the Chinese Artists Association and chairman of the Central Academy of Fine Arts, adding that many literary and artistic workers visited rural areas, created a number of literary works. and artistic works to tell good stories about poverty reduction and strike a chord in society.

China has made historic progress in eradicating absolute poverty in 2020 and unveiled a new chapter in rural revitalization to help revamp the countryside.

“Cultural revitalization is an integral part of the overall implementation of China’s rural revitalization strategy,” Fan said. He added that literary and artistic workers can help build rural civilization by researching rural cultural heritage and protecting the rural landscape, especially villages and old houses of great value.

“The vast countryside is full of traditional national crafts and intangible cultural heritage. We must bring new life to them and help revitalize rural cultural industries,” Fan said. “In building a beautiful countryside, we must strengthen the aesthetic design and construction to make the beautiful countryside a home of nostalgia.”


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The process of two artistic works https://utopicstudios.com/the-process-of-two-artistic-works/ Wed, 30 Sep 2020 07:00:00 +0000 https://utopicstudios.com/the-process-of-two-artistic-works/ by Brie Burrell ’21 (she / she) “Pt.1” 6.5’x13 ′ watercolor and colored pencil, courtesy of Brie Burrell ’23 I created these two pieces as part of a short series for my drawing 101 class in the spring of 2020. The pandemic had hit earlier this semester, causing me to leave campus. I had a […]]]>

by Brie Burrell ’21 (she / she)

I created these two pieces as part of a short series for my drawing 101 class in the spring of 2020. The pandemic had hit earlier this semester, causing me to leave campus. I had a lot of emotions that I had trouble expressing. I felt that my outward expression of leaving campus without completing my first year did not properly represent what I was feeling on the inside. These two pieces are meant to embody this juxtaposition.

The first part of this series features a range of colors created with watercolors and colored pencils. Although the expression of the figure is contained and surrounded by “happy” colors, they are almost blurred or overwhelmed.

pt. 2 ″ 6.5’x13 ′ watercolor, graphite, ink, courtesy of Brie Burrell ’23

The second part of the series features a larger figure created with a variety of sporadic and continuous india ink marks. Inside the figure, ghostly figures created with graphite are caged.

These two pieces were created from places of uncertainty and sadness, two expressions with which I often find it difficult to cope. The first part of the series came out completely different from what I had expected, and there was a point where I considered giving up the play altogether. It wasn’t until I released the pressure on myself to make the room look a certain way and just expressed myself that I found a resolution. The process and the play itself bear witness to the juxtaposition I was experiencing at the time. The pressure I put on my pieces to look a certain way was a direct reflection of the pressure I felt that caused me to hide my emotions. Working to resolve my piece was essential in dealing with my emotions.

My relationship with the art that I and others create is constantly evolving. The pandemic, along with many of the issues surrounding police brutality and oppression, has triggered a period of growth and exploration in multiple dimensions of my life. I find myself wanting to create and share my art more often. I have learned that inviting others to view my pieces is a crucial part of the artistic process. Others often interpret my work in ways I never envisioned, or give me useful information on ways to solve certain aspects of my work. In the past, I have been very reserved and insecure when it comes to publicizing my work or asking others to collaborate. I am my worst critic, but I am happy that my own perception of my work is changing and my confidence is increasing.

From those pieces, I’ve partnered with Marquia Humphries ’22 and Davidson Athletics to design a shirt that promotes messages of responsibility and fairness here at Davidson. In the future, I hope to continue using art as a platform to encourage conversation and speak from my perspective as a woman of color in a predominantly white space.

Brie Burrell ’23 (she / she) is a major in prospective psychology and a minor in art studio from Ocala, Florida. She can be reached for comment at brburrell@davidson.edu


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Solbi paints a floral paradise in newly exhibited artistic works https://utopicstudios.com/solbi-paints-a-floral-paradise-in-newly-exhibited-artistic-works/ Fri, 25 Sep 2020 07:00:00 +0000 https://utopicstudios.com/solbi-paints-a-floral-paradise-in-newly-exhibited-artistic-works/ Artist Kwon Ji-an, also known as singer Solbi [M.A.P CREW] Artist Kwon Ji-an, also known as singer Solbi, will hold her first solo show in a year and four months, her agency MAP Crew announced on Friday. According to the agency, its new exhibition titled “Paradise – Capture of the Ordinary” will be held from […]]]>

Artist Kwon Ji-an, also known as singer Solbi [M.A.P CREW]

Artist Kwon Ji-an, also known as singer Solbi, will hold her first solo show in a year and four months, her agency MAP Crew announced on Friday.

According to the agency, its new exhibition titled “Paradise – Capture of the Ordinary” will be held from September 29 to November 22 at Vila Vila Cola, a cultural multiplex located in Siheung, Gyeonggi, showcasing 20 works including new creations.

Kwon held his last solo show “Real Reality” last year, showcasing his talent as an artist to the public.

"Pallet garden" (2020) by Kwon Ji-an [M.A.P CREW]

“Palette Garden” (2020) by Kwon Ji-an [M.A.P CREW]

She was chosen for the Gana art residency this year after being the only Korean artist invited to the world festival of contemporary art Nuit Blanche Paris in Paris last October. The artwork “Palette Garden” that Kwon created during the residency sold for 9.2 million won ($ 7,900) at an auction in Seoul earlier this year.

Despite having been sold, “Palette Garden” (2020) will be on display at the exhibition, alongside some of his more recent works such as “Snow, Water (Winter)” (2020), “Where Will I Be ? (Autumn) “(2020) and” Until the day we meet again (spring) “(2020).

"Snow, Water (Winter)" (2020) by Kwon Ji-an [M.A.P CREW]

“Snow, Water (Winter)” (2020) by Kwon Ji-an [M.A.P CREW]

"Where will I be?  (Autumn)" (2020) by Kwon Ji-an [M.A.P CREW]

“Where will I be? (Autumn)” (2020) by Kwon Ji-an [M.A.P CREW]

All of the works feature images of flowers, which Kwon says were due to his father’s influence.

“She once asked her father why he loved flowers so much,” the agency said. “He was told ‘Because they’re still here’ and it made him think ‘What things are still there in a constantly changing world?'”

Kwon said in a press release that “The works in this exhibition capture the ordinary moments, not the most beautiful moments.

“I wish this day, a very ordinary and simple day, to be ‘Heaven’ for everyone.”

BY YOON SO-YEON [yoon.soyeon@joongang.co.kr]


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